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Bursa Panorama Museum
Architectural design process; basically under the headings of pre-design process and design process.
can be summarized. There are many horizontal alternatives for problem solving during the preliminary design process.
While developing, in the main design process, a selected alternative is analyzed in depth - vertically.
development is in question. In this process, various stakeholders other than the architect and designer are involved.
they get it. Such as employer, contractor, various teams of engineers, consultants, etc. This
When considered in this context, on the one hand, the designer architect who exists with his identity as an artist and sets the rules,
In fact, it cannot be said to be "free" as it is thought. The process is the designer's
with the efforts he made to convince other stakeholders on architectural issues through various developments.
It lasts and transforms. The role of the architect, also defined as the "orchestra conductor", is important at this point.
wins.
In this study, we aimed to work together with many stakeholders and various areas of expertise.
By considering the "museum function" that requires “Bursa Panorama Museum and Interaction Center”
example has been considered. The main backbone of the article is the concept of museum, the places where museums are located.
By examining the effects and contributions to the environment and place; Research - design in 2015
– “Bursa”, which started with the projecting process and was put into service in 2019 with its construction.
Panorama Museum and Interaction Center”. In this study, it was also
In the historical process, the emergence of museum typologies such as Panorama - Diorama and their fiction
Issues such as the basic architectural criteria that form the basis and how they are evaluated today, etc.
discussed in the text. The architectural product realized in the process is both on an urban scale and on an interior scale.
discussed with the space setup, its relationship with contemporary architectural concepts, the design process created
and application model are presented.
can be summarized. There are many horizontal alternatives for problem solving during the preliminary design process.
While developing, in the main design process, a selected alternative is analyzed in depth - vertically.
development is in question. In this process, various stakeholders other than the architect and designer are involved.
they get it. Such as employer, contractor, various teams of engineers, consultants, etc. This
When considered in this context, on the one hand, the designer architect who exists with his identity as an artist and sets the rules,
In fact, it cannot be said to be "free" as it is thought. The process is the designer's
with the efforts he made to convince other stakeholders on architectural issues through various developments.
It lasts and transforms. The role of the architect, also defined as the "orchestra conductor", is important at this point.
wins.
In this study, we aimed to work together with many stakeholders and various areas of expertise.
By considering the "museum function" that requires “Bursa Panorama Museum and Interaction Center”
example has been considered. The main backbone of the article is the concept of museum, the places where museums are located.
By examining the effects and contributions to the environment and place; Research - design in 2015
– “Bursa”, which started with the projecting process and was put into service in 2019 with its construction.
Panorama Museum and Interaction Center”. In this study, it was also
In the historical process, the emergence of museum typologies such as Panorama - Diorama and their fiction
Issues such as the basic architectural criteria that form the basis and how they are evaluated today, etc.
discussed in the text. The architectural product realized in the process is both on an urban scale and on an interior scale.
discussed with the space setup, its relationship with contemporary architectural concepts, the design process created
and application model are presented.
Giresunspor Stadium
Stadium with a capacity of 22,028 seats, Olympic pool, sports hall, commercial areas. A multi-purpose sports complex.
Trabzon Akyazı Sports Complex
Stadium with a capacity of 41,461 seats, 7 training fields, camp center. A sports complex of international standards.
Uludağ University, Faculty of Education, Music Teaching Department Building
“What do you think is the difference between your project and other projects? What is the highlight of your project?”
The concept of “….Art Factory” was chosen as the “superconcept” in the development and design of the project. The sustainability of art in the context of "time" and the "space" in which it is produced has directly affected designers' decisions to maintain the "factory" concept they had previously used. Along with the fact that "music" is one of the most effective branches among the basic arts, the fact that the building that will emerge as a result of the design is an "educational structure" clearly reveals the fact that music is a learned activity. The need for a "constant mutual communication-interaction" approach, which should be at the basis of education, especially art education, has been seen as a very important presupposition and advantage in the shaping process of design. The concept of "continuous mutual communication - interaction" within the building, which should form the basis of art education; It should continue to exist between the producer and the consumer of art. In other words, the strategic importance of design within Uludağ University maintains its validity in the "spiritual" sense as well as in the "objective" sense……..The massive construction of the building, its own strong geometry, which is Euclidean within the green and "fractal nature" It consists of a "white prism" that clearly indicates its existence. The “white building” has gained liveliness in line with a harmonic structure with the colors used in the interior. (Yapı Magazine, 2008)
The concept of “….Art Factory” was chosen as the “superconcept” in the development and design of the project. The sustainability of art in the context of "time" and the "space" in which it is produced has directly affected designers' decisions to maintain the "factory" concept they had previously used. Along with the fact that "music" is one of the most effective branches among the basic arts, the fact that the building that will emerge as a result of the design is an "educational structure" clearly reveals the fact that music is a learned activity. The need for a "constant mutual communication-interaction" approach, which should be at the basis of education, especially art education, has been seen as a very important presupposition and advantage in the shaping process of design. The concept of "continuous mutual communication - interaction" within the building, which should form the basis of art education; It should continue to exist between the producer and the consumer of art. In other words, the strategic importance of design within Uludağ University maintains its validity in the "spiritual" sense as well as in the "objective" sense……..The massive construction of the building, its own strong geometry, which is Euclidean within the green and "fractal nature" It consists of a "white prism" that clearly indicates its existence. The “white building” has gained liveliness in line with a harmonic structure with the colors used in the interior. (Yapı Magazine, 2008)
Uludağ University State Conservatory
The building was realized in line with the design decisions arising from the relationship of a rectangular box with a sloping land. Box; It expresses itself semantically by creating a tension with the sloping terrain; It offers access to the building from different elevations. While the main entrance connects to the main road at the lower level, it is possible to reach the spaces on a straight foot through the faculty entrance and parking lot at the upper level. Spatial program of the building; It consists of a concert hall and foyer with a capacity of 500 people, wind, percussion and string instrument classrooms, individual study rooms, theoretical classrooms, canteens, a dining hall, a library, administrative units and a parking lot. This program, which is quite complex and requires pedagogical arrangements, is combined or separated by connections to streets and spaces where streets intersect.
Architect: Özgür Ediz, Yıldız Çağlı,
Employer: Uludağ University Rectorate
Photos: Özgür Ediz
Architect: Özgür Ediz, Yıldız Çağlı,
Employer: Uludağ University Rectorate
Photos: Özgür Ediz
Villepinte
Located 40 km away from the lively atmosphere of Paris and adjacent to Charles de Gaulle Airport, Airport Residences offer a living space that blends modern architectural principles with the warmth of natural materials. The design team led by Baha Sikman, Uğur Can Erol and Bora Soykut creates spacious and bright living spaces by inviting natural light in with large glass surfaces in the building, which exhibits an environmentally friendly stance with its wooden-covered exterior. A variety of housing options, ranging from studio flats to 3+1 flats, are designed to meet every need and allow you to enjoy the open air with their balconies or terraces. Common use areas consisting of a secure entrance, indoor car park, children's playground and green areas are among the carefully thought-out details aimed at improving the quality of life of the residents. Adopting an environmentally friendly approach with energy efficiency measures such as insulation, solar energy panels and heat pump, the project offers an attractive option for airport employees and frequent travelers, as well as those looking for modern and natural living spaces.
Ortakoy One
The project was carried out within GAD Architecture and under the leadership of Gökhan AVCIOGLU.
One Ortaköy” project is a unique building located in Ortaköy, Istanbul, offering a perfect blend of modern and traditional architectural elements1. The project was designed by Architect Gökhan Avcıoğlu2. Avcıoğlu sees One Ortaköy as an iconic step towards the modernization of the environment2.
The design of the building has been carefully planned to create a living space where green and blue tones intertwine1. This project makes healthy living a way of life1. The building gives back to nature by using the green it takes from the soil on its roof2. Green roofs allow the mass of the building to blend into the topography2.
The project consists of a residence and a student dormitory3. The buildings, located next to a hill, are of iconic importance for the modernization of the region3. These features show that One Ortaköy is both a functional and aesthetic building. This building offers both visual pleasure and a comfortable environment to its visitors. One Ortaköy contributes to the architectural diversity of Istanbul by offering a perfect blend of modern architecture and traditional elements.
One Ortaköy” project is a unique building located in Ortaköy, Istanbul, offering a perfect blend of modern and traditional architectural elements1. The project was designed by Architect Gökhan Avcıoğlu2. Avcıoğlu sees One Ortaköy as an iconic step towards the modernization of the environment2.
The design of the building has been carefully planned to create a living space where green and blue tones intertwine1. This project makes healthy living a way of life1. The building gives back to nature by using the green it takes from the soil on its roof2. Green roofs allow the mass of the building to blend into the topography2.
The project consists of a residence and a student dormitory3. The buildings, located next to a hill, are of iconic importance for the modernization of the region3. These features show that One Ortaköy is both a functional and aesthetic building. This building offers both visual pleasure and a comfortable environment to its visitors. One Ortaköy contributes to the architectural diversity of Istanbul by offering a perfect blend of modern architecture and traditional elements.
Mini Eatery
Bringing a new breath to the lively atmosphere of Moda, the mini eatery reflects the creative vision of architects Uğur Can Erol and Baha Şıkman. It attracts attention with its modern and minimalist design, use of natural materials and large glass facades. While natural materials such as wood and stone add warmth to the space, large glass facades fill the interior with natural light, creating a spacious environment. Creative lighting solutions add different ambiances to the space at different times.
Eatery prioritizes functionality with its flexible usage areas and open kitchen concept. Appropriate seating arrangements are available for both individual customers and small groups. The open kitchen allows customers to witness the preparation of meals. The creative menu, combining traditional flavors with modern interpretations, is prepared with local and seasonal products.
This mini eatery in Moda is a remarkable place designed by architects Uğur Can Erol and Baha Şıkman, which brings a new breath to Moda's food and beverage scene with its original design, functionality and creative menu.
Tike
“Tike Bursa Restaurant” is a unique building that offers a perfect blend of modern and traditional architectural elements1. The design of the building is intended to have a "landmark" effect on the approach to Bursa from Mudanya's direction1. The facility was solved with an approach that allows the existing trees on the site to influence the design1.
At the upper level of the building, the main restaurant area can be reached through a "passageway" attached to the wall in question1. This elevation is also the showcase of the facility perceived from the Bursa - Mudanya Road1. The transparent gallery located on the lower and upper elevations is an instrument that connects the two elevations1. Designed as a 2-storey building, it integrates with the existing garden and the spaces that form the open area of the design1.
The basic functions that make up the facility: It consists of a restaurant, cafe, bar, wine cellar, offices, staff areas, children's playground, outdoor dining and activity areas1. These features show that Tike Bursa Restaurant is both a functional and aesthetic building. This building offers both visual pleasure and a comfortable environment to its visitors. Tike Bursa Restaurant contributes to the architectural diversity of Bursa by offering a perfect blend of modern architecture and traditional elements.
At the upper level of the building, the main restaurant area can be reached through a "passageway" attached to the wall in question1. This elevation is also the showcase of the facility perceived from the Bursa - Mudanya Road1. The transparent gallery located on the lower and upper elevations is an instrument that connects the two elevations1. Designed as a 2-storey building, it integrates with the existing garden and the spaces that form the open area of the design1.
The basic functions that make up the facility: It consists of a restaurant, cafe, bar, wine cellar, offices, staff areas, children's playground, outdoor dining and activity areas1. These features show that Tike Bursa Restaurant is both a functional and aesthetic building. This building offers both visual pleasure and a comfortable environment to its visitors. Tike Bursa Restaurant contributes to the architectural diversity of Bursa by offering a perfect blend of modern architecture and traditional elements.
Bursa Işıklar Military High School
20,000 square meter campus. A military school campus offering modern training facilities and living quarters
Borusan Music and Art House
The project was carried out within GAD Architecture and under the leadership of Gökhan AVCIOGLU. (https://www.gadarchitecture.com/en/borusan-music-and-art-house)
Over the last 50 years, the diagrid system of crisscrossing metal beams has been an important structural innovation in architecture. In the design of the Borusan Music House, a diagrid of steel beams became the basis for an architectural strategy that facilitated the realization of a modern music and exhibition space within the historical fabric of Istanbul's 19th-century Beyoğlu district. The architecture of the building preserves the façade of the historic neoclassical building, facilitating its new functions through a completely new structure. The historical connection between the building and its context aims to preserve continuity with the past and provide new functions through this internal structure, giving fresh life to the building and the district.
GAD's architectural strategy is realized through a critical approach to structure and program. Diagrid's steel beams allow the building's load to be carried around the perimeter of the building, enabling open and flexible floor plans to facilitate exhibitions and music. More importantly, although this structure is important in realizing the building's new functions, it is visible only at street level and disappears behind the neoclassical façade on the upper floors, in a sense of the limited role that modern architecture can provide in this historical environment dominated by Istanbul's 19th-century past. However, the architects realized that impulses towards strict modernism had to be suppressed, although there were more subtle efforts to fill the building with contemporary design. An elaborate lighting program built into the diagrid showcases this structure within the building at night, while the roof of the stepped terrace takes advantage of views towards the Bosphorus and the roofs of neighboring buildings.
Over the last 50 years, the diagrid system of crisscrossing metal beams has been an important structural innovation in architecture. In the design of the Borusan Music House, a diagrid of steel beams became the basis for an architectural strategy that facilitated the realization of a modern music and exhibition space within the historical fabric of Istanbul's 19th-century Beyoğlu district. The architecture of the building preserves the façade of the historic neoclassical building, facilitating its new functions through a completely new structure. The historical connection between the building and its context aims to preserve continuity with the past and provide new functions through this internal structure, giving fresh life to the building and the district.
GAD's architectural strategy is realized through a critical approach to structure and program. Diagrid's steel beams allow the building's load to be carried around the perimeter of the building, enabling open and flexible floor plans to facilitate exhibitions and music. More importantly, although this structure is important in realizing the building's new functions, it is visible only at street level and disappears behind the neoclassical façade on the upper floors, in a sense of the limited role that modern architecture can provide in this historical environment dominated by Istanbul's 19th-century past. However, the architects realized that impulses towards strict modernism had to be suppressed, although there were more subtle efforts to fill the building with contemporary design. An elaborate lighting program built into the diagrid showcases this structure within the building at night, while the roof of the stepped terrace takes advantage of views towards the Bosphorus and the roofs of neighboring buildings.
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